Todo Modo (Elio Petri, 1976)


With this technically dazzling and perversely humorous film Elio Petri tackles the trickiest and least cinematic of subjects: corruption. Supported by a stellar cast of euro titans (Mastroianni, Volonte’, Salvatori, to name a few), the underrated master of satire threads with amazing grace where Godard and Costa-Gavras have so splendidly failed. Luigi Kuveiller’s fluid camera glides through the oppressive, drab interiors framing the sweating culprits with surgical precision, set to Morricone’s haunting sounds. Petri’s very own brand of twisted humour helps the often bewildering proceedings along. Soon to be re-released in a restored edition, Todo Modo is a challenge of the most pleasurable kind.


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